In "The Bridegroom," Ha Jin seems more
interested in writing stories about circumstances than about people.
Almost all of the short stories collected in his 2000 book are
concerned with lower and middle class folk living in China,
struggling against greater, sometimes conflicting, forces: communism
and capitalism, encroaching western values
and small town prejudices, societal pressures and familial
obligations, and an overarching bureaucracy trying to stabilize and
control a vast population in a country in transition. The stories
explore life within this paradoxical environment, and are much more
preoccupied with introducing and stepping through the injustices and
dilemmas facing the characters than the characters themselves; they
are powerless to effect the unfolding situations imposed upon them,
and develop little more nuance beyond "worried businessman"
and "foreign-educated woman". This lends a universality of
sorts, and the stories do well in presenting different tableaus, even
if the stories tend to beat somewhat repetitious drums. As a
pounding critique of life in China it may work, but the futility that
permeates all the stories leads to a sameness, and at some point all
of the senselessness starts bleeding out, such that it's hard not to
redirect some of it onto the stories themselves.
October 23, 2013
October 17, 2013
Videos of live performances from The Weakerthans, Steven Page, and Gorillaz
The Weakerthans - Fallow (acoustic on Backstage Pass)
Olympus Has Fallen (2013) movie review
Olympus Has Fallen is a mind-blowingly
stupid and ludicrous movie about Korean terrorists taking over the
White House. This premise alone should tell you what type of movie it
is. But you know what? I loved it. The general advice for going to
these types of big dumb action movies is to shut your brain off, but
honestly, I had a lot of fun laughing at all the glaringly obvious
plot holes there were. The writers did just enough work to keep the
movie moving at a brisk pace and to have everyone in the audience
understand everything that's going on, and nothing more. I mean, if
you're someone who gets offended by movies like this where everyone
(except maybe the protagonist) acts like complete idiots, then this
ain't the movie for you. But hey, this might be a dumb blockbuster,
but this also is a dumb blockbuster that's both better and dumber
than any other dumb blockbuster in recent memory. Better than
Battleship, better than 2012, and better than Transformers. Also, surprisingly brutal violence, definitely not the typical PG-13 stuff you see these days, but some real, up-close, headshots, torture, and executions, which was, if nothing else, a change of pace.
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